Tag Archives: Venue Profile

Where have I been?

16 Jul

When you have so much fun at work, it’s easy to overlook the whole “documenting what I do” thing.  Enough apologizing for my lack of posts.  How about a quick recap?

Looks like I haven’t mentioned any shows I’ve worked since December 2011.  Last year?  Damn, it’s been a busy seven months.  Here goes nothing…

1.18: Bryan Adams (The tour was carrying what was allegedly the first Midas Pro2 in the states.)Image

2.27: Peter Frampton (Maybe the best show I’ve ever seen.  Definitely best FOH mix of any show at the Gillioz.  FOH engineer, Vinnie, was rocking a beautiful beast of a console, a Midas XL4)

2.28: Rusko (I mixed FOH, if you can call leaving two channels wide open “mixing.”  Perhaps system tech is a more accurate job title.)Image

3.04: Steven Curtis Chapman (The tour was carrying a 12 box JBL VerTec 4887 rig.  Cool little boxes.)

3.11: Chevelle (Great mix on a Yamaha M7 by tour manager Chris Morrison)

3.14: Kelly Clarkson (Biggest show at Drury’s O’Reilly center to date.  Killer Clair Bros i4 rig .  Also, Clay Paky Sharpys out the wazoo.  I served as promoter rep.  Fun time.  Big shout out to TM Alan Hornall for ensuring a smooth operation.)Image

3.20: BB King (I had the pleasure of mixing FOH for the king.  Truly an honor.)Image

3.23: Lisa Lampanelli (I was laughing, sometimes cringing, at my console the entire show.)

4.07: Leo Kottke (So much sound from one man with one guitar. Great musician.  A Shure SM58, Midas pres, Countryman DI and a Taylor guitar.  I mixed the entire show with a smile.)

4.15: Blue October (My first night on an Avid SC48 running FOH for local support.  Favorite digital desk I’ve used.)

4.18: JJ Grey & Mofro (Their second time at the Gillioz Theatre, always a party.  I mixed monitors for SGF locals, Speakeasy.)

4.19: Ralphie May (Funny guy. Laid-back show.)

4.21: Ozark Mountain Daredevlis (My last date serving as promoter rep on their 40th anniversary tour.)

5.01: Hellyeah & Clutch (Vinnie Paul had a Shure Beta 98 upside down between his toms to mic stick clicks.  Sweet!)

5.04: Switchfoot (The day MCA died.  In honor, Switchfoot played a fantastic cover of “Sabotage.”  I mixed the opening act.  FOH console was a Soundcraft Vienna, my first experience with a Soundcraft desk.  Auxes from bottom to top, anyone?)

5.05/06: Big Smith (A two day farewell run for the band’s retirement.  Both sold out shows.  I engineered a multitrack recording of the show with the Gillioz’s Midas Verona and my Logic rig.)

5.15: Styx, REO Speedwagon & Ted Nugent (Another promoter rep gig for me.  Definitely had my work cut out for me.  The O’Reilly center was the smallest venue on the tour, so I had to pull out my shoehorn to squeeze this one in there.  Pulled it off, learned a lot.)Image

5.19: Gabriel Iglesias (Really impressed by their production.  Big impact, small footprint, easy setup.  Also, hilarious comedian.)Image

5.22: Incubus (Promoter rep gig at O’Reilly Center.  I’m a big fan of the simplicity of “An Evening With…” shows.)

5.29: Theory of a Deadman (First nigh on an Avid Venue Profile.  At first impression, I feel I like the SC48 better–perhaps because of differences in metering and on-desk displays.) 

6.01: Primus (Never thought I’d see these guys grace the Gillioz stage. Tour carried a huge Meyer MILO rig.)Image

6.08: Grace Potter & The Nocturnals (Holy cow, what a voice on that girl, not to mention the legs.  Another fun night on the local Soundcraft Vienna for me mixing the support act, Rayland Baxter. Photo by Chet Smith.)Image

6.15: Josh Turner (Promoter rep gig.  All around nicest touring crew I’ve worked with in a long time.  Friendly southern boys.)

7.06: Tech N9ne (Last night of their record breaking tour, 90-some shows in 100-some days.)

7.09: Death Cab for Cutie (FOH was a Midas Pro6.  Didn’t get to mix on it, but hope to get the chance soon.)

There, now I feel my lack of posting has been justified.

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